The
Collection
I. Adrian & Stock
The firm of Adrian &
Stock of Solingen, Germany, well-known makers of lithographed tin
toys and other articles, were among the first to mass-produce metal
candle chimes for the holiday market. Although they did not invent
candle chimes, the Stock firm may very well have been the first to
patent key elements of their product. For more information, I highly
recommend Schweinekutsche
und Gänseliesel: Geschichte und Spielzeuge der Firma Walter Stock,
Solingen, by Hans Schulte-Kellinghaus (Hilden: Borch-Druck
Verlag KG, [2002])
NOTE: The numbering
system used in this section on Adrian and Stock is that developed by
Hans Schulte-Kellinghaus for his history of the Stock firm.
“Engel-Weihnachts-Geläut, Posaunenchor mit der Geburt
Christi (Angel-Christmas Chime, Trumpet Choir with the
Nativity ”
No. 0 (39 x 16 cm.)
In 1905 Walter Stock, of the firm of Adrian & Stock, took out
a series of patents on his design for a “Geläut,” or chime,
showing virtually all the familiar elements of today’s
Christmas candle chimes. His specific patents include the
“floating angels” carrying bell-clappers, the trumpeting angel
at top, and the collapsible tripod candle-and bell-holders,
which were designed to fold into a relatively small box. Shown
below is the earliest Stock design produced from the 1905
patent. Elaborately designed and lovingly made, it features
die-cut candle supports of nickel-plated tin, a lithographed
nativity scene in low relief (this deluxe example includes an
added group of figures in the foreground, giving a 3D effect),
and a large and imposing set of gilded angel figures.

The
launch of this chime was announced with some fanfare, as
demonstrated by this 1906 advertisement from the magazine
Berliner Illustrierte. The ad describes the chime in
detail, praising its novel design, sturdy construction, and
easy assembly.
The box is printed with the splendid name of
this inaugural effort: “Engel-Weihnachts-Geläut, Posaunenchor
mit der Geburt Christi,” (“Angel-Christmas Chime, Trumpet
Choir with the Nativity.”). The box also carries the Adrian &
Stock name and logo, a practice which was soon discontinued
for most of the Stock line of chimes. As we’ll see, many
elements of later “Swedish pattern” candle chimes derive
directly from these early 20th century Stock models. While
impressive, the angel figures on this first Stock chime were
heavy, and tended to unbalance the mechanism. This example no
longer works, and the design may always have been finicky: the
angels were drastically reduced in size and weight within a
few years of this production.
(This example includes the rare instruction sheet, also
illustrated below, at the far right.)
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“Engelsgeläut”
(Angel Chime) No. 1/4 (31 x 16 cm.)
By 1910
Adrian & Stock had embarked on a full line of angel chimes,
with the original “Posaunenchor mit der Geburt Christi” chime,
redesigned and simplified, designated as “No. 1” of an
expanding series. (Note however that Adrian & Stock’s
numbering system changed over time, and that this chime is
also found as “No. 4,” and “No. 610”) As redesigned, the
angels are smaller, the candle holder is reduced to a simple
platform, the bell supports are cheaply formed of wire, and
the nativity scene is printed flat, on a single sheet of tin.
A variant of this chime, offered without the lithographed
nativity scene, is labeled “No. 4½” in Stock catalogues of the
1920s. Note that the box bears no maker’s name. Also shown is
a picture of this chime taken from a 1927 German Christmas
catalogue, priced at 1 Mark 5 Pfennigs.
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“Weihnachtsgeläute”
(Christmas Chimes) No. 5 (32 x 18 cm.)
By the
1920s, the original Stock Engelgeläut had diversified into a
range of forms. This festive model (“No. 5” in the Stock
catalogue) is one of the most elaborate. It features two pairs
of chimes, and an impeller incorporating a ring of
lithographed angels, and a banner announcing in German, “Glory
to God in the Highest.” The colorful lithographic nativity
scene is adapted from the “Krippe mit Engelgeläut” model (No.
2B). Also shown is a woodcut illustration of this chime reproduced from a 1929 Adrian & Stock catalogue.
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“Weihnachtsgeläute”
(Christmas Chimes) No. 5A (32 x 18 cm.)
A simpler version of No. 5, with only two chimes, and using
the standard Stock impeller and angels.Some
boxes for this chime incorporate the rarely-seen stamped
Adrian & Stock logo, partly visible at upper right in the
photo second from the right, below. Because Adrian & Stock distributed their chimes through
a number of different Solingen firms, the Stock name and mark
is generally not found on the pieces, or their packaging. Also
shown on the far right is a No. 5A used as a Christbaumspitz, or tree topper,
reproduced from Schulte-Kellinghaus.
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“Engelsgeläut”
(Angel Chime) No. 3 and 3A (33.5 x 15 cm.)
Two
examples of the standard “cheap” chime offered by Stock in the
1920s, one with a lithographed Nativity scene in the central
star ornament (No. 3), and one with a Father Christmas or
“Weihnachtsmann” figure accompanied by angels (No. 3A). Note
that the Father Christmas chime has angels in silver, while
the Nativity version has them in gold: another common
production variant. Also shown is a woodcut of the Nativity
chime, reproduced from a 1929 Adrian & Stock catalogue.
Compare the design of these smaller, simpler Stock chimes
with the first example illustrated under “Swedish-Pattern
Angel Chimes.” It is clear that post-World War II Swedish
manufacturers adapted elements of Stock’s design to produce
the “Swedish pattern” angel chimes so popular in America.
A
number of these later Stock chimes, with original boxes and in
brilliant, unused condition, have appeared recently on eBay.
They are “new old stock” reputedly acquired some decades ago
from one of the last employees at the Walter Stock factory in
the 1930s.
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“Krippe mit Engelgeläut”
(Nativity Scene with Angel Chime)
No. 2B (32 x 22 cm., base = 22 x 8
cm.)
Among
the rarest and most interesting of the Stock Christmas chimes
is this elaborate combination “Krippe mit Engelgeläut”
(Nativity scene with angel chime). Unlike most of the Adrian &
Stock chimes, this item was intended for tabletop use only, or
for display beneath a Christmas tree. Candles ingeniously
suspended behind the façade power the impeller, which moves
not only the angel choir, but also a carousel of the Three
Kings below, so that they seem to pass in procession before
the Holy Family. (A cheaper version was also available which
omitted the moving figures.) Originally produced ca. 1910,
this particularly fancy variant from the 1920s features a
colorful ring of lithograph angels instead of a plain
impeller, and a base designed as a holder for candy or
chocolate. The name of the wholesaler (bicycle manufacturer
August Stukenbrok) appears on the box, but the Stock name does
not: a marketing ploy which allowed Stock to expand their
market for these and other toys. This example includes the
very rare original instruction sheet. Also shown is a picture
of another version of this chime, reproduced from a 1927
German Christmas catalogue, priced at 1 Mark 95 Pfennigs.
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“Knusperhäuschen”
(Gingerbread House) (26.5 x 22 cm., base = 22 x 8 cm.)
Also
dating from the 1920s, this Stock chime features the story of
Hansel and Gretel, and here the impeller powers a tableau in
which the old witch chases the children in and out of the
Gingerbread House. Like the preceding, this chime also has a
candy-box base. The base is usually found in plain green; this
desirable variant has an attractive lithograph pattern of
grass, flowers and mushrooms. This example is in pristine
condition, with a fine original box — a rare survival. Also
shown is a reproduction from the 1910 Stock toy catalogue,
showing an earlier, non-chiming version of this toy.
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