TABLE OF CONTENTS
HISTORY THE
TIMELINE MANUFACTURER'S
HISTORIES THE
PATENT PAGES
THE
PRE-ELECTRIC ERA VINTAGE
ADVERTISING THE
LIGHT SET GALLERIES RELATED
LINKS
FREQUENTLY
ASKED QUESTIONS
Sometimes, dating your lamps and boxed outfits
can be difficult. Along with the
identification of many early lighting outfits provided in the
Gallery section of this site, I've
decided to group together on these pages some information that will be
helpful in determining at least a somewhat specific time frame for the
manufacture of your electrical Christmas item. Everything will be
presented in categories, and hopefully will be useful to the collector and
hobbyist. Just click on any of the links below to jump to
that specific section:
LAMPS
BOX CONSTRUCTION
CORDS AND SOCKETS
CONNECTORS AND PLUGS
OTHER DATING HINTS
Some of what you will read on these pages appears
elsewhere on this site, but for the sake of convenience I have chosen to
put it here as well.
LAMPS
(Much of the
information provided in this section on lamps is due to the hard work of Rick
Delair, and is used here with his kind permission.)
In 1895, the Edison Electric Company offered
the first popular miniature base lamps suitable for Christmas tree
decorating. Most collectors refer to the shape of these straight
sided exhaust tipped lamps as Edison pears, and also "balloons",
"teardrops" or just simply "pears". These lamps used carbon
filaments, and were made to run on various voltages, with the most
common being 16 volts. The early lamps like these were rated for
light output in candlepower (CP), and most were designated 1 or 2
CP. Typical characteristics of these earliest lamps are as follows:
A very prominent exhaust tip at the top of the
lamp
A small round or oval paper sticker with the candlepower rating put
on the outside envelope
A sharply-cut, turned brass threaded base
A black, horseshoe-shaped filament
A plaster, ivory, bone or red fiber insulator at the tip of the base

At first, these lamps were offered in clear
glass, but colored lights soon followed with the introduction of red
and green. Additional colors followed a bit later, including blue, amber,
yellow, purple (rare) and milk glass. The collector can find these
lamps that were made in the United States, as well as German and
Japanese examples.
After about 1907, miniature Christmas lamps were made with a
black glass insulator at the tip of the base, and the vast majority
were originating from Japan. The white paper candlepower rating on
the glass envelopes was left off, and the country of origin was
stamped into the brass base of the lamps. There are many color
variations of these lamps available to the collector, and most of
the major variations are pictured in the 1900-1920 section of this
site. Lamps like this continued to be made until about 1915 or so.
The collector will typically find that American and German made
colored lamps from this period are painted while their Japanese
counterparts are true colored glass.
Beginning in 1916, General Electric, the
leading lamp manufacturer in the world, was selling their Christmas
lamps with the new tungsten filament technology. Tungsten was a
superior filament material, as it had none of the uneven burning
disadvantages of carbon, and used far less current as well. The
light output was whiter and brighter, and the filaments were cheaper
to make. The envelope shape of the lamp was changing as well, as the
manufacturing process would soon allow the delicate exhaust tip of
the lamps to be hidden in the base where it would not be so easily
damaged. The lamps were now round, and were technically referred to
as a G-8 or G-9. The "G" stood for a globular shape, and the "8" or
"9" stood for the size: 8/8th or 9/8th of an inch in diameter. See
the Frequently Asked Questions section of this site for a more
complete explanation of Christmas lamp sizes. Here is the breakdown
of the evolution of the General Electric tungsten filament Christmas
lamp:
1916 |
First use of tungsten for Christmas lamp
filaments, round and with an exhaust tip. No markings, or
simply MAZDA 14V stamped into the brass base. |
 |
1918 |
Tipless round tungsten filament Christmas
lamps introduced. Same markings as above. |
 |
1919 |
The first smooth cone shaped lamps were
sold, designed to imitate the shape of a candle flame.
Markings on the lamps were in large letters around the glass
envelope and read: "G-E MAZDA MADE IN USA." |
 |
1922 |
Fluted cone lamps introduced. Flutes are at
an angle to each other and are shallowly molded. The GE
marking on the glass reads: "G-E MAZDA MADE IN
USA". Pictured here is the "Snow Tip" paint variation. |
 |
1923 |
The straight fluted cones make their first
appearance. Glass envelope size is a C-6 1/2. Markings read:
"GE MAZDA MADE IN USA". |
 |
1930 |
The smaller, true C-6 cones are introduced.
Straight fluted, these lamps remained in production, virtually
unchanged except for paint, until the 1970s. |
 |
1934 |
The Mazda Detect-O lamp is introduced, and
was sold for a period of about two years. Filled with a neon
gas, it would glow when burned out, enabling the owner
to quickly locate the failed lamp on a darkened tree. Note the
clear bottom to enable the user to see the glowing gas. |
 |
1938 |
C-6 straight sided cone logo changes to a
"stacked style":
G-E
MAZDA
USA |
 |
1945 |
After World War II, General
Electric discontinues the use of the MAZDA name on their
lamps. |
1949 |
General Electric switches from flat paint
to a semi-gloss paint for their lamps. The colors are not as
dark and rich as on the flat examples. The logo on the lamps
reads simply "G-E" |
 |
1957 |
General Electric switches to a high gloss
paint, and now uses aluminum rather than brass for their base
material. |
 |
1959 |
The logo on the GE lamps changes to the
famous "script in a circle" style, sometimes referred to by
collectors as the "meatball logo". |
 |
1974 |
The last year for the production of
General Electric "C-6" lamps. |
Another way of dating many of
the old lamps and outfits from various manufacturers is by
looking at the voltage rating information for the item. In the
United States, voltage requirements and ratings changed over
the years, and this information can be quite useful in
assigning an approximate date of manufacture to your vintage
electrical item. Here is a breakdown of the various voltages
and time periods, courtesy of Rick Delair: |
DATE |
VOLTAGE RATING AND INFORMATION |
1881
to
1917 |
In the earliest days of
electricity, Thomas Edison's electric companies used a voltage
rating (or "pressure") of 100-110 volts,
direct current. The actual voltage delivered to
his customers varied within that range, due to direct
current's tendencies to drop voltages in long runs. Toward the
end of this period, Edison standardized his power distribution
at 110/220 volts. Although some carbon filament lamps will
have a voltage rating of 16 to extend their life, most
lamps and outfits from this era will read:
LAMP TYPE |
LAMP WILL SAY: |
OUTFIT WILL SAY: |
For use in series-wired
outfits |
14V |
For use on systems
supplying 100-110 volts |
For use in multiple-wired
outfits |
110 V |
For use on systems
supplying 110 volts |
|
1917
to
1932 |
This time period saw the
switchover to the use of
115 volts alternating current,
which did not have the problem of losing voltage "pressure"
while traveling over long distances. Although the voltage
rating had increased by 5 volts, lamps intended for use in
series-wired strings did not always have their voltage ratings
increased. Lamps and outfits made during this time will
usually read:
LAMP TYPE |
LAMP WILL SAY |
OUTFIT WILL SAY |
For use in series-wired
outfits |
14V or 15V |
For use on systems
supplying 100-115 volts AC or DC |
For use in multiple-wired
outfits |
115V |
For use on systems
supplying 115 volts |
|
1933
to
Present |
It was during this time that
the 120 volt alternating current system that we still use
today was adopted. All of the lamps intended for series wired
use had voltage ratings of 15 or 16.
LAMP TYPE |
LAMP WILL SAY |
OUTFIT WILL SAY |
For use in series-wired
outfits |
15V |
For use on 110-120 volt
circuits |
Extended life lamps for
use in series wired outfits |
16V |
For use on 110-120 volt
circuits |
For use in multiple wired
outfits |
120V |
For use on 110-120 volt
circuits |
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CORDS AND SOCKETS
Here's a bit of information on the
various light sockets that can be found on sets from
several eras. Please remember that there are many
variations of these sockets, and these illustrations are
just a few examples of some of the most common styles to
be found. |
 |
 |
 |
 |
 |
 |
PRE-1905 |
1905-1915 |
1915-1935 |
1920-1927 |
1925-1930 |
1925-1935 |
Made of white glazed porcelain, this type
of socket is by far the earliest. The example in the
picture is from a parallel wired outfit, hence the four
wires coming out of the bottom. Series wired outfits are
far more common, with just two wires to each socket.
You'll find this type of white sockets on pre-1905 sets. |
Next in line is the
green glazed ceramic socket, used on outfits from 1905 to
about 1915 or so. The green color was far more attractive
on the tree than the white, but the ceramic was more
shatter prone than the porcelain and was easily damaged. |
This is a wooden socket, used to my
knowledge only on the battery powered outfits. Use of
these sockets started in about 1915 and continued until
1935, when the battery sets were no longer manufactured. |
An early composition socket, this style is
often confused with wood but is much heavier. Composition,
the most common form of lighting socket found in sets from
this era, was offered in many different shapes. It was the
forerunner of today's modern plastic- sturdy and durable,
but can be (and often was) damaged by excessive heat. It
is almost always found in green and sometimes (but rarely)
in red. |
A red and green mottled version of the
socket described above. Mottling was popular through about
1940, and was also offered in Bakelite after 1928. |
The most commonly seen style of composition
socket, this style was used until the mid 1930s, when
Bakelite became the universal favorite for socket
material.. |
1935-1965
Beginning in the late1930s, almost all
lighting manufacturers were using black Bakelite as
their socket material. This practice continued well into
the 1950s, when the switchover began to the use of
plastics. |
THE EVOLUTION OF THE ELECTRICAL
CORD USED IN CHRISTMAS LIGHTING
|
1900-1915 |
Electrical wiring used in lighting
strings from this era were predominately made of
stranded copper with a green silk wrapped or braided
cover. The silk can be identified by a slight shine or
sheen to the material. |
1915-1930 |
This time period saw the use of green
cotton covered stranded copper wiring. |
1930-1941 |
Multicolored cotton covered wires were
the norm here, and wiring from this era is much thinner
than that offered in previous years. Sets made for
outdoor use had heavier wire, which was lacquered for
durability. Rubber wiring was also introduced for use
outdoors, but did not become popular until after World
War II. |
1945-1950 |
These postwar years witnessed the
changeover from cloth covered wires to vinyl, plastic
and rubber coatings. The earliest vinyl wiring was red
and green colored individual wires, twisted together.
Plastic covered wiring from this era is quite stiff, and
the rubber-coated wires were found to be quite short
lived. |
1950-Present |
Almost all wiring is now green in color,
and made of stranded copper covered in various forms of
vinyl. |
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